Glemte helt at jeg skulle spare penge op til Circles, og brugte lidt rigeligt på disse 3.
3D cover – pris- don’t mention
Without a doubt, no Rolling Stones album — and, indeed, very few rock albums from any era — split critical opinion as much as the Rolling Stones' psychedelic outing. Many dismiss the record as sub-Sgt. Pepper posturing; others confess, if only in private, to a fascination with the album's inventive arrangements, which incorporated some African rhythms, Mellotrons, and full orchestration. Never before or since did the Stones take so many chances in the studio. This writer, at least, feels that the record has been unfairly undervalued, partly because purists expect the Stones to constantly champion a blues 'n' raunch world view. About half the material is very strong, particularly the glorious "She's a Rainbow," with its beautiful harmonies, piano, and strings; the riff-driven "Citadel"; the hazy, dream-like "In Another Land," Bill Wyman's debut writing (and singing) credit on a Stones release; and the majestically dark and doomy cosmic rocker "2000 Light Years From Home," with some of the creepiest synthesizer effects (devised by Brian Jones) ever to grace a rock record. The downfall of the album was caused by some weak songwriting on the lesser tracks, particularly the interminable psychedelic jam "Sing This All Together (See What Happens)." It's a much better record than most people give it credit for being, though, with a strong current of creeping uneasiness that undercuts the gaudy psychedelic flourishes. In 1968, the Stones would go back to the basics, and never wander down these paths again, making this all the more of a fascinating anomaly in the group's discography
Though this is still nowhere near prime John Cale, 1985's Artificial Intelligence is a big step up from its predecessor, 1984's weak and sloppy Caribbean Sunset. For the first time in his career, Cale works with a collaborator on each song: Rock journalist Larry Sloman (later to gain a certain measure of fame as the model for the pesky Ratso character in Kinky Friedman's comic mystery novels) wrote the lyrics for all nine songs, with guitarist and co-producer David Young chipping in on two of them. Sloman's lyrics are uneven, ranging from the nonsensical "Satellite Walk" to the affecting "Dying on the Vine," one of the loveliest and most haunting songs of John Cale's entire career. Musically, the album sounds a bit dated in its reliance on standard mid-'80s synths and drum machines, but the production is worlds better than it had been on the muddy Caribbean Sunset, with the atmospheric "Every Time the Dogs Bark" and "Chinese Takeaway (Hong Kong 1997)" benefiting the most. Artificial Intelligence is no Paris 1919, but it's an encouraging partial return to form.
Og så til noget helt andet – Pee Wee
En meget smuk Impulse
After a lifetime spent playing unusual and unpredictable clarinet solos in Dixieland settings, Russell late in life broke out of the stereotype and played in more modern settings. This Impulse LP (begging to be reissued on CD) has his clarinet placed in a pianoless quartet with valve trombonist Marshall Brown, playing tunes by John Coltrane, Thelonious Monk, and Ornette Coleman, along with some classic ballads. It is a remarkable and very lyrical date that briefly rejuvenated the career of this veteran individualist.
mvh. SES.
To listen is an effort, and just to hear is no merit. A duck hears also. Igor Stravinsky
Vi har alle lært at skjule vore fordomme, og vi viser ikke vore forkerte meninger. PO Enquist 1976.
(one beer und ein cola!!!)
og en af de større 
hilsen fra bluest blue moon - you saw me standing alone without my NA på play on 
without a groove to lean on .... bluuuueeee 
... Nå, kun to af ovennævnte tiltler kan stadig fås på vinyl.. Der skal trækkes i huntingoutfit, hvis de skal scores..
