Mozart 250 år

[Bastian]

Hej

Min gode ven har lige købt sig en forstærker og en cd fra Musical Fidelity og minsandten om der ikke i hver kasse lå en cd med en klarinet koncert af Mozart. Min kammerat behøvede ikke 2 så jeg fik den ene. Nu søger jeg så lidt oplysninger:

På coveret står: Mozart K622 clarinet concerto. Er K622 virkelig koncertens navn? Hvis ja, nogen forklaring på det lidt spøjse navn?

Det er iøvrigt glimrende musik i fornem lydkvalitet. Dirigent er Robert Bailey og soloklarinetten spilles af Anthony Michaelson. Kender nogen disse?

På forhånd tak!

MVH

[SES.]

Hej Bastian

K622 er bare Mozart's værk nr 622 (listen er lavet af en herrnn Køchel, deraf K'et)
Anthony Michaelseon er sÃ¥mænd konstruktøren af Musical Fidelity og samtidig en habil klarinetspiller. Mener det er Sterophile der stÃ¥r bag udgivelsen.




Her er Mozart guf for audiophiler - Mozart med rør - det er selvfølgelig TACET der er mester.
Har ikke hørt den - skulle lyde smaddergodt, og det er samme er indspilningen.
(En klarinet er jo en slags rør, så alle der indspiller den gør det med rør)

Just how anyone "hears" tubes when playing back CDs, which involve digital-to-analogue conversion, remains a mystery. An even bigger mystery is how such folks determine what natural sound is in repertoire that the vast majority of them have never heard live, in an acoustic space that they will never enter. Oh well, there are tube freaks, just like there are historical recording freaks, modern music freaks, piano freaks, conductor freaks--and what they all have in common is the fact that they are freaks. Tacet's Andreas Spreer, whether recording by tube or not, makes some of the best sounding recordings in the business, and this one is no exception. His name on a recording virtually assures its sonic excellence. By any standard, this release is technically outstanding, with lifelike string timbres realistically balanced in a nicely warm room. So if audio is what primarily concerns you, this is one Mozart disc you will certainly want to own

[Bastian]

hej ses......

 

ja jeg imponeres dagligt over din viden......og mine kammerater tror jeg ved meget om musik!

 

tak for info........interessant!

 

mvh

 

Med hensyn til dit-dit dit-daaahhhh.......det kunne da lyde som "skæbne-symfonien"? Beethoven?

[SES.]

Så er der Søndagsklassikker på P2 med Mozart's Symfoni no 40 i G moll.

Her er en unik chance for at komme ind i Mozart's univers. 6 forskellige indspilninger diskuteres, det er utrolig spændende at høre musikeksperter fortælle om hvad man gør og ikke gør.

Så det er underholdning på højt plan og hver gang får ny viden og forståelse for musikken og dens udøvere.

[SES.]

Der kommer stadig mange Mozart plader. Denne skiller sig ud - den er extraordinær.

Plademærket Zig Zag - svarer til sit navn. Her sker der mange sjove og interessante ting.


ANIMA ETERNA & JOS VAN IMMERSEEL
Mozart
Concerto for 2 pianos KV365
Concerto for flute and harp KV299
Concerto for horn No.3

- Mozart has long represented an essential component in Jos van Immerseel's recording career, whether as pianist or at the head of the orchestra Anima Eterna. He has revealed outstanding conducting talents (in the last three symphonies, nos.39-41, and Symphony no.29), or in his eagerness to showcase the skills of his partners: Konzertmeister Midori Seiler in two violin concertos, Jane Gower in the Bassoon Concerto.

- This new 'concertante' recording presents Jos van Immerseel and Yoko Kaneko along with three soloists from the orchestra: Franck Theuns (flute), Marjan de Haer (harp), and Ulrich Hübner (horn).The distinctive qualities of Anima Eterna's approach can be heard immediately in their choice of instruments. Each soloist searches for the most appropriate instrument, either in his or her own collection or in museums around Europe. A Christopher Clarke copy of a Walter fortepiano, a flute after a Grenser original, a single-action pedal harp by Érard, and a valveless horn attributed to the Viennese maker Joseph Huschauer and loaned by the Schloss Eutin Foundation.

Every once in a while a disc comes along that you know you are going to treasure. It will become an old friend, an indispensable part of your collection. In a way, the pleasure is increased if the recording comes as a surprise. Among the crowds of CDs being released during Mozart year, amid the Mutters, the Rattles and other big names, it’s Jos Van Immerseel and his Anima Eterna – a group he handpicks specially for each project – who have made the greatest impression on me. There is something profoundly joyful, even sublime, about the music-making here. It is Mozart to gladden your heart and enrich your soul. If I sound gushing, the performances do not. There is nothing showy here, and although they command a dazzling palette of orchestral colours, Immerseel and Co don’t resort to attention-grabbing gestures. They just know how to play this music and sound as if they are doing so for their own pleasure. If we choose to enter their luxurious realm, and they allow us to stay, then lucky us. This is a disc that I'll be playing again and again.
Gramophone

Zig Zag Territoires ZZT060201

[macwerk]

..... Dette noteres ned med fornøjelse.
Dog er den kun nr 2 på DVD ønskelisten - Ingmar Bergman's "Trollflöjten" skal lige scores først.

PÃ¥ klingende svensk, men det holder