Hvad hører du nu ?

[vilmann]

Konformitetens lullende søvn i form af skattestop og friværdier slog til. Normaliseringen rækker langt...

When the people of the country have forgotten how to disagree
And the national economy is said to be OK
And the wages that you get will help you to forget
Will you keep your ideologies or throw them all away?

When the system has you beaten
Even now you haven't eaten
Cos you can't afford to eat or drink to keep your brain alive
You blame the system for the weather but carry on as ever
You go to work at half past eight and come back home at five

                                                                     - SUBHUMANS



/vilmann

[kibri]

In 1963, the Dave Brubeck Quartet (with bassist Eugene Wright and drummer Joe Morello) recorded a famous concert at Carnegie Hall that is finally available as a two-CD set. The group sounds particularly inspired, making At Carnegie Hall one of their most essential releases. They had recorded their classic Time Out album three years earlier and this concert has extended versions of Take Five and a definitive Blue Rondo A La Turk. Other highlights of the exciting evening include St. Louis Blues, Three To Get Ready and It's A Raggy Waltz. Joe Morello's virtuosity and explosive playing was clearly a major asset to the group and he is heard throughout in top form.
-Scott Yanow

 

Every so often you're lucky enough to be in the right place at the right time. And we were the lucky ones, those of us who were in Carnegie Hall on Friday night, February 22, 1963. That was the night the Dave Brubeck Quartet reached swinging heights few of us had ever heard it attain before. It began predictably as a good Brubeck concert, but nothing out of the ordinary. We were all there on this Washington's Birthday because we like to listen to Brubeck, and we were hearing pretty much what we had expected to hear. And so we were satisfied. Then suddenly it happened-right after the start of the third number. Don't ask why. Probably nobody can explain it. But it happened all right, and what had begun as a quite good Brubeck concert burst abruptly into a truly great one. From then on, this turned out to be the night the Dave Brubeck Quartet was really swinging. This was the night it fell into a groove few, if any of us, had ever realized it could find. This wwas one of those nights when everything turned out right. During intermission I sat with Dave and Paul Desmond in their dressing room. They were very happy. A great rapport had been established, because they were feeling exactly what we had been feeling out front. They knew even better than we did that this was a special night. Some days later Dave, still exultant about what had happened at Carnegie Hall, remarked, The group had reached swinging heights like that before. What was lucky is that this concert was recorded!
-George Simon

[fan of the man]

Suveræn Lady med en stemme som en kædesav. Fantastisk plade.

Estella Harris, 1 January 1896, Cairo, Illinois, USA, d. 19 April 1986,Chicago, Illinois, USA. Raised in Chicago, the young Estella took anearly interest in music by singing in church and learning to play theguitar. She married pianist Jimmy Yancey in 1919 and over the next twodecades frequently sang with him at informal parties. Yancey firstrecorded with her husband for Session in December 1943; "Make Me APallet On The Floor" became her virtual signature tune thereafter. Theyrecorded a long session for Atlantic Records in July 1951, just twomonths before Jimmy Yancey's death. Mama Yancey more or less retiredfrom music after that but was persuaded to make the occasionalappearance and recording session. South Side Blues and, to a lesserextent, Mama Yancey Sings, were the last occasions when her bellowingchurch-based singing style was heard at its best. Her last album, MaybeI'll Cry, was recorded when she was 87 years old, three years beforeher death.

[SES.]

Min operarådgiver har altid noget nyt til mig. Denne gang en ren perle.
Alle der kan lide tenorsang af bedste bør lægge øre til og anskaffe denne dobbelt CD som sælges meget billigt hos Classico eller Cdklassisk.

MindeCD for Peter Lindroos - dobbelt-CD CLASSCD5004-5 I december 2003 døde den fremragende tenor Peter Lindroos ved en bilulykke i Skåne, og det skabte ønsket om en mindeCD. Vi kan her bringe et fornemt portræt af Lindroos' sangerkarriere på Det Kongelige Teater. Han var i høj grad ridder af det høje C, og det kan høres adskillige gange i de mange arier og duetter fra Boheme, Tosca, Gianni Schicchi, Kappen, Trubaduren, Traviata, Maskeballet, Don Carlos, Otello, Rosenkavaleren, Carmen, Bajadser, Fyrst Igor, Eugen Onegin og et uddrag fra en gallakoncert med 3. akt af Lohengrin. På alle optagelser spiller Det Kongelige Kapel og flere af skæringerne har medvirken af Det Kongelige Operakor. Medvirkende solister bl.a. Lone Koppel, Gitta Marie Sjöberg, Irene Graaner, Ib Hansen, Anne Frellesvig, Minna Nyhus og dirigenterne Tadeusz Wojciechowski, Klaus Weise, Arvid Jansons, Lamberto Gardelli, Bruno Bartoletti, Michael Schønwandt, Johan Hye-Knudsen, Tamas Vetø, John Frandsen og Poul Jørgensen CLASSCD5004-5

[niklasthedolphin]

SÃ¥ spiller Rica Amabis med nummeret Mulatta Assanha.

Bare super drøn godt.
Ikke heavy. Ikke techno. Ikke jazz. Ikke klassisk. Ikke rock.

Gæt selv hvad det er.

"dolph"

[SES.]

Lidt mere hype for denne CD. Udover Classicstodays superanmeldelse, har Gramophone udmærket cd’en med månedens bedste klassiske udgivelse.

awards: • Gramophone Editors Choice Disc of The Month - April 2007



Se at få den scoret.

[SES.]

Nu regner det, det betyder at haven er droppet og en håndfuld vinyler står i kø

Nottingham er sat på sporet

[gurdet]

 

Tom Waits (introducing Tango Till They're Sore, 1985): "Thank you eh. This is about a guy that eh fell out of a window on New Year's Eve. And eh, the only thing that broke his fall, was the fact that he had a little eh confetti in his hair. Needless to say he doesn't go anywhere without a little… confetti in his hair." (Source: "Late Night With David Letterman" (NBC TV show) Date: New York. December, 1985) 

Mvh

[niklasthedolphin]

Jeg har denne her flere gange de sidste 24 timer:

Den kan var anbefales. For musikkens skyld men der er da også temmelig god lyd på den.

Lyd pÃ¥ den kan afsløre om du skal smide dit anlæg ud eller blive ved med at nyde det.

Hvis ikke du, med sikkerhed og præcist, kan høre hvor musikerne står i forhold til hinanden så skal anlæget smides ud.

;-)

"dolph"

[SES.]

Jeg smider anlægget ud, men først i morgen, denne + Sam Jones, Billie Holliday, Lester Young er lige postet ind af døren



de flotteste plader jeg nogensinde har fået ind af døren kan ikke nænne at pakke dem ud. Efter Tina blir det Billie med Embraceble You (min all time Billie tune)

ps: nej - smider ikke anlægget ud - jeg har jo aldrig hørt efter om de står hvor de burde

[plafitracer]

Lige pt er det Dire Straits Brothers In Arms der streames fra Squeezeboxen..

[fan of the man]

Lige nu snurrer:


Kendte hende ikke, men hun synger rigtigt fint og engageret - God plade.
Thumbs up Nancy

[Carlos]

Jeg har lige købt denne....så skuffet. Gider ikke de ringe produktioner mere

 

[kibri]

I kender dem begge fra Walkabouts.. Altid i orden.

[SES.]

Dette Macwerk er modtaget i en tilstand der mÃ¥ betegnes MINT+++