Så triller Gitte Hænning rundt på CD maskinen med hendes "Jazz".
Og det er hun faktisk rigtig smidig og god til.
"dolph"
kibri skrev::shock:
Takzakaha! Se lige her: http://clemensantikvariat.dk/music/record.php?id=281
zaka skrev:
SÃ¥ blev det min tur til at finde et macwerk
I går scorede jeg Coma - Financial Tycoon fra 1977 på mint Genlyd vinyl til 100,-. Det er dansk progressiv rock. Jeg har ikke haft den på endnu, men måske det lykkedes i aften - jeg glæder mig lidt.
Jeg lånte Coma's Amoc på blibioteket og den var i mine øre et flop!
fan of the man skrev:Lørdag aften indendørs i ly for rusk og regn, brændeovn, stearinlys og en flaske gæret frugt, burde kunne skabe rammerne for nærlytning af dagens post levering.
Opera's “Stardust Twins" in Great Love Duets
Where would opera be without its duets between soprano and tenor?Whether the duet is confrontational or tearful, joyously ecstatic ornakedly sexual, it is the intertwining of two high-flying voices thatgives opera its emotional heart. As Rolando Villazón puts it: “When theopera shows you two young lovers on stage who are ready to die for eachother, the audience has to feel their passion."
It helps if vocal allure is matched by physical glamour, and in thatrespect the Russian soprano Anna Netrebko and the Mexican tenor RolandoVillazón are ideal. In The New York Times Anthony Tommasini described Netrebko as “gorgeous" and Villazón as “dashing", while Alex Ross of The New Yorker suggested that they are “two singers with a certain movie-star quality". In Opera Martin Bernheimer simply labelled them opera's “stardust twins".
Netrebko and Villazón established themselves as the new operatic dreamteam when they sang in the Salzburg Festival production of Verdi's La Traviata in2005 (their interpretations are preserved on Deutsche Grammophon CD andDVD). Since then, they have conquered the world's stages: in Gounod's Roméo et Juliette in Los Angeles, Verdi's Rigoletto atNew York's Metropolitan Opera (conducted by Plácido Domingo, who knowsa thing or two about vocal finesse), and in Massenet's Manon in Los Angeles last autumn (Domingo once again conducting). In Manon, according to the Berliner Morgenpost, “Netrebko's chemistry with Villazón generated cosmic sparks".
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