Hvad hører du nu ?

[Kim Olsen]

lige nu spilles det nye anlæg til, crown dc300a og jbl Control 1xtreme, så den står på ham her:



og naturligtvis Queen



og så lidt blandet'

[kibri]

Kan ikke forestille mig det mere cool...

[kibri]

...and the beat goes on.. sikke et flow.

[kibri]

Billedet lyver, men det er samme suveræne serie: Milt Jackson, M. Alexander, Lockjaw, Jimmie Smith, Clark Terry og Ray Brown fanget live i Montreux 13/7-77. Disse jam-sessions er høj, høj kvali.



Kenny Burrell og A. Blakey på Blue Note. Fra ´59. DMM masteret af Teldec i ´86 og det har de gjort overraskende godt.

[gurdet]

Denne her:

Francis Poulenc: Concerto pour 2 pianos, Concerto pour piano, Aubade

 

Et rent lykketræf for mig. (RilleDille og så 29 kr....)

MON DIEU, det er godt...

 

Without doubt, this French domestic release is the finest single disc of Poulenc concertos available, better even than the composer's recordings, and that's saying a lot. They have everything: style, spirit, a vivid sense of fun, a touch of sentiment that never turns maudlin, and that ability to change moods every few bars that Poulenc always requires. In the Concerto for Two Pianos Eric Le Sage and Frank Braley have a field day tossing phrases back and forth, or hauntingly recreating those gamelan sounds that infiltrate the work at critical moments (particularly at the end of the first movement). From the delicious, faux-Mozartian central Larghetto to the jazzy finale, the players relish every nuance. It's a blast. Here, as in the other two works, conductor Stéphane Denève perfectly captures the wry, "sec" quality of Poulenc's orchestral writing with vivacious rhythmic underpinning and crystal clear textures. La Sage's interpretation of the Piano Concerto simply wipes the floor with the competition. He's one of the few artists who knows how to savor the music's salon ambience without wallowing, and the tempos he and Denève choose are ideal. Aubade, an odd ballet/concerto that has been frequently recorded, seldom satisfactorily, for once enjoys an accompaniment as characterful and involving as the piano part, with terrific contributions from the solo winds. The final couple of minutes are simply magical. Beautifully clean, well-balanced sonics round out this enticing picture. Let's hope RCA makes this release available internationally. It's unbeatable. [5/12/2005] --David Hurwitz Mvh

[kibri]

John Kongos fra ´72. Eminent.. og læser man de første linier på allmusic, forstår man:

..."This classic 1972 album on Elektra by John Kongos has Queen/Cars director Roy Thomas Baker remixing superb production by Gus Dudgeon, the man who created many an Elton John hit. Elton sidemen Ray Cooper, Caleb Quaye, Dave Glover, Roger Pope, Sue (Glover) and Sunny (Leslie) — pretty much the crew from John's 1971 epic Madman Across the Water — are all excellent here"..

Et hav af supermusikere indgår.

[fan of the man]

Ahhh  endelig forÃ¥r............. Og op popper Clash....................Bør nydes rigtigt højt!



Stephen Thomas Erlewine, All Music Guide:
For their second album, the Clash worked with the American hard rock producer Sandy Pearlman, best-known for his work with blue oyster cult and the Dictators. The teaming was quite controversial within the punk community, and the sound of
give em enough rope is considerably cleaner, yet the more direct sound hardly tamed the
Clash. While the record doesn't burn with the same intense, amateurish
energy of , it does have a big, forceful sound that is nearly as powerful. What keeps give em enough
from being a classic is its slightly inconsistent material. Many of the
songs are outright classics, particularly the first half of the record
("Safe European Home," "English Civil War," "Tommy Gun," "Julie's Been
Working for the Drug Squad") and "Stay Free," but the group loses some
momentum toward the end of the record. Even with such flaws,  give em enough ranks as one of the strongest albums of punk era.  

[gurdet]

Sarah Shannon: City Morning Song (2007)

 

Mild musik til en mild dag. Giver associationer til gamle Phoebe Snow plader.

Mvh

[vilmann]

Hvad skal man dog med en CD-afspiller når man har en gammel 300 Mhz laptop og en Trends UD-10 USB Transporter?

Jeg hører CV Jørgensen





/vilmann

[vilmann]

Det bliver sjovt at få fat i alle CD'erne.....

Faith No More var et fantastisk orkester. Så meget liv og nerve bag støjen.


/vilmann

[dksoulman]

Rod Stewart, Gasoline Alley fra 1970.

 

[kibri]

Ryan Adams "Cold Roses"
....fik scoret "Heartbreaker" på noodle, men den venter..

[SES.]

Ingen billeder, men Bent Axen med Waltz for Wicky - før den lagde Ben Webster Duke in bed.

[vilmann]

Jeg har billede  


/vilmann

[SES.]

så en med billede. Manden med de berømte Planeter, har faktisk lavet andet. F.eks. denne