Hvad hører du nu ?

[ZIG]

Kæmper lidt med denne.

Joe Hendersen, Elvin Jones, Ron Carter og McCoy Tyner.

Jeg er i gang med lytning nr. 2.

Jeg VIL lære den at kende.

Blood sweat and tears.

Zig

[fan of the man]

Motionerer kantophæng og cdafspiller med guf fra True blue music.



Duke Ellington said, "His was the band I always wanted mine to sound like when I got ready to have a big band."

[A.R.T.]

RADIO ETHIOPIA ?

RADIO BROOKLYN ?

 

NOPE

 

RADIO NOWHERE!

 

 

O Plummer, Where Art Thou?

[Kristian]

Fine aften



Nyder fantastiske Anghela Gheorghiu i titelrollen, med hendes gemal Roberto Alagna.
Scarpia, det lede bæst, synges af Ruggero Raimondi.

 

 

Vi forsætter med puccini

[A.R.T.]

Apropos "stjerner" så slutter dagen med denne 2 i 1 hybride SACD.

 

 

Amerikansk power pop fra staren af 70'erne - absolut høreværdig.

[SES.]

Nu ka vi lidt igen, Mahlers 3 i et pragtvejr hvor det er skønt at sidde inde



og så kan man lige lave lidt god føde og åbne en FUR julebryg  

[A.R.T.]

- og det er skønt at SES kan en lille smule mere forhåbentlig snart for fulde omdrejninger

 

Bertinis Mahler har jeg tilgode  

Istedet har jeg vendt blikket mod England og da Kennedy (altså ham der lever) pryder forsiden på Grammophone har jeg flux taget denne ned fra reolen.

 

 

Den var denne skive og Nigel Kennedys fremtoning + udseende der fik mig på sporet af den klassiske musik

[SES.]

En skøn Kennedy skive, han har også gjort det godt i Sibelius før han punkede til dangletære og sprutflaskerne. Men når han gider er det magnificent.

Norman Lebrecht er en af mine yndlingskritikere,  ikke en specielt rar fyr, han ville for længst være bannet på danske hifi-forums.

Men det skal jo ikke forhindre i at komme med dagens tilbud:


No ifs, no buts: this is the best Bartok playing money can buy. Kocsis and Schiff, the foremost current Hungarian pianists, are keyboard antipodes, one dazzling and aggressive, the other cuddly and introspective. When he reads the notation Allegro Barbaro, Kocsis stops shaving; in the 1926 piano sonata his brutal note clusters will break windows in your nearest gated village. Schiff, all cufflinks and charm, is slyly seductive in the Dance Suite, wistfully lyrical in the Rumanian folk dances and Hungarian peasant songs. These recitals, taped in Japan, are new to Europe; they leave all others standing.

The second CD is of Bartok himself playing selections from the six books of Mikrokosmos, from recordings he made on arrival in New York in 1940, after fleeing fascist repression in Hungary. The masters, gathering dust in a Columbia vault, have never been readily available and the freshness of this transfer defies belief. Bartok could be sitting in your own living room, smoking his way through divided arpeggios. The best that money can buy? This 2-CD pack costs a risible £6.

[Kristian]

Velkommen på banen igen SES.

Her spilles lidt opera al'a Rossini

The Barber of Seville, HMV EMI SLS853, hvor M.Callas brillerer med 'Una voce poco fa'

http://www.youtube.com/watch?v=lTrIFhc4beY&feature=related

[gurdet]

 

Ali Farka Touré: Niafunké

Den senere borgmester af Niafunké. En af mine yndlingsskiver.

 

Mvh

[gurdet]

Én til:

 

 

Ali Farka Touré: Savane

 

Mvh

[SES.]

Hej Kristian!
Har lagt mærke til din meget delikate smag udi klassisk vinyl. I min omgangskreds har jeg 2 Maria fans, den ene har et unikt legemsstort portræt bag ved flyglet. Jeg holder nu også af hende, sjovt nok kender jeg flere kvinder der ikke kan forstå vor begejstring.
De gange hvor vi har sat en arie på spil mellem flere sopraner, så får de andre uanset kvalitet ingen points. Maria er totalt o verlegen. Hun er unik som Billie Holiday.

En anden boldgade med en unik kvinde:

Lebrecht igen:
It’s not so much the notes she plays as the spaces between that makes this the most compelling record of Shostakovich piano music by anyone outside the composer’s inner circle. What Martha Argerich performs in music is akin to alchemy. She recasts a work metaphysically in different matter. Where others lurch into Soviet-era texts with heavy irony and an excess of sentiment, she treats the composer as if he were a fictional character, a figment of her imagination. In these tapes from the 2006 Lugano festival, she recasts the first concerto as stand-up comedy in the face of Stalinist terror, trading punchlines, bang for blow, with star trumpeter Sergei Nakariakov. The little concertino for two pianos becomes a secret dialogue of dissidence with the tremulous Lilya Zilberstein, while the mid-war quintet for piano and strings evokes the struggle of one voice to be heard amid existential mayhem. This is less a matter of interpretation than creative reinvention – music making on an altogether different plane.

[ZIG]

Lee Morgan.

Det er ham jeg husker:



City Lights

Det starter i det jævne, men den tredje skæring "You're Mine You" - it just doesn't get any better.

Reccomendo

Zig

[ZIG]

Hank Mobley

Ej glemmes.



Workout

Wynton Kelly, Grant Green, Paul Chambers, Philly Joe Jones.

Bopper.

Zig

[Kristian]

Hej Kristian!
Har lagt mærke til din meget delikate smag udi klassisk vinyl. I min omgangskreds har jeg 2 Maria fans, den ene har et unikt legemsstort portræt bag ved flyglet. Jeg holder nu også af hende, sjovt nok kender jeg flere kvinder der ikke kan forstå vor begejstring.
De gange hvor vi har sat en arie på spil mellem flere sopraner, så får de andre uanset kvalitet ingen points. Maria er totalt o verlegen. Hun er unik som Billie Holiday.

En anden boldgade med en unik kvinde:

Lebrecht igen:
It’s not so much the notes she plays as the spaces between that makes this the most compelling record of Shostakovich piano music by anyone outside the composer’s inner circle. What Martha Argerich performs in music is akin to alchemy. She recasts a work metaphysically in different matter. Where others lurch into Soviet-era texts with heavy irony and an excess of sentiment, she treats the composer as if he were a fictional character, a figment of her imagination. In these tapes from the 2006 Lugano festival, she recasts the first concerto as stand-up comedy in the face of Stalinist terror, trading punchlines, bang for blow, with star trumpeter Sergei Nakariakov. The little concertino for two pianos becomes a secret dialogue of dissidence with the tremulous Lilya Zilberstein, while the mid-war quintet for piano and strings evokes the struggle of one voice to be heard amid existential mayhem. This is less a matter of interpretation than creative reinvention – music making on an altogether different plane.

Jeg synes nu jeg er
nybegynder i klassikken, men tak for pænt ord. Enig med Callas, hun var
noget meget specielt,  faktiskt helt unik.

Men nu til Ali som gurdet hører.