ps: skønt at der også er nogle nye plader i spillen her på de sidste sider.
En af søndag aftens mange gode plader.
Jeg drejede mine ører om så de stod på Debussy og satte så denne på. Det virker hans sound er Debussy’sk – tætte lysende klangfarver. Det er dette stof drømme skabes af. Vær ikke nervøs for Debussy – det swinger vildt. Når Evans rammer de dybe toner lægger Sam Jones lige en skøn bas på - det er bare så godt.
The legend of Bill Evans really begins with this album, his second. The pianist had just spent most of 1958 as part of one of the major units in jazz history: The Miles Davis Sextet that also featured John Coltrane and Cannonball Adderley. His fellow musicians already knew his worth (the album title was almost literally accurate, and the four endorsements on the cover, which embarrassed Bill, could easily have been greatly multiplied); with this record, the jazz public began to follow their lead.
Aided by Sam Jones and Philly Joe Jones, Evans set down some of his most swinging trio sides, but the session would be memorable if it had only yielded the remarkable and haunting solo improvisation called “Peace Piece.”
Track Listings
1. Minority
2. Young And Foolish
3. Lucky To Be Me
4. Night And Day
5. Epilogue
6. Tenderly
7. Peace Piece
8. What Is There To Say?
9. Oleo
10. Epilogue
mvh. SES.
To listen is an effort, and just to hear is no merit. A duck hears also. Igor Stravinsky
Vi har alle lært at skjule vore fordomme, og vi viser ikke vore forkerte meninger. PO Enquist 1976.