Test af Audio Note AN-E Lexus Signature loudspeaker

[nhj4]

http://www.stereophile.com/standloudspeakers/506an/index.html 

[kibri]

den her er god:

..."Throughout their time here I was consistently impressed by how loudly the Audio Notes could play, and by how utterly big they could sound when doing so with orchestral music. There was something of a disconnect, seeing those not-terribly-large speakers with their 1" tweeters in front of me, yet hearing them make flutes sound like real instruments moving reasonable amounts of air, and not like precise little images in some audio nerd's fantasy-ass "soundstage." The crescendo at the end of János Starker and Antal Dorati's recording of Dvorák's Cello Concerto (a recent and brilliant Speakers Corner LP reissue of Mercury SR90303) showed that off especially well—as did Ruggiero Ricci and Ølvin Fjelstadt's wonderful recording of the Sibelius Violin Concerto, also on a Speakers Corner LP (Decca SXL 2077)."... :D

og:

.."But I found the experience to be satisfying because it was completely real and no more; on the other hand, if you're the sort of listener who uses a hi-fi as a homing device for the sounds of loose cufflinks and bows hitting music stands, these might not be for you."...

..."I used to wonder if there'd ever come a day when I could write about a SET amplifier without framing it as an oddity: an electric car, a green cocktail, an American who doesn't have a credit card. The answer is yes—but only when speakers like this are more common. "..

Yderst velskrevet..

[SES.]

den her er god:

..."Throughout their time here I was consistently impressed by how loudly the Audio Notes could play, and by how utterly big they could sound when doing so with orchestral music. There was something of a disconnect, seeing those not-terribly-large speakers with their 1" tweeters in front of me, yet hearing them make flutes sound like real instruments moving reasonable amounts of air, and not like precise little images in some audio nerd's fantasy-ass "soundstage." The crescendo at the end of János Starker and Antal Dorati's recording of Dvorák's Cello Concerto (a recent and brilliant Speakers Corner LP reissue of Mercury SR90303) showed that off especially well—as did Ruggiero Ricci and Ølvin Fjelstadt's wonderful recording of the Sibelius Violin Concerto, also on a Speakers Corner LP (Decca SXL 2077)."... :D

og:

.."But I found the experience to be satisfying because it was completely real and no more; on the other hand, if you're the sort of listener who uses a hi-fi as a homing device for the sounds of loose cufflinks and bows hitting music stands, these might not be for you."...

..."I used to wonder if there'd ever come a day when I could write about a SET amplifier without framing it as an oddity: an electric car, a green cocktail, an American who doesn't have a credit card. The answer is yes—but only when speakers like this are more common. "..

Yderst velskrevet..

 

OT - Det var vist lige det hele den 23. august blev brugt på - valg mellem "Musik lyd" eller "HiFi lyd." .

 

tilbage til testen - Art Dudley er fremragende og når han kan koncentrere sig om at beskrive musik eksempler - så ved man han har fat i noget der leverer.

[Skorpio]

Han er så tilgengæld ikke så saglig eller vidende omkring teknikken!

Følgende postulat:

Everything went swimmingly until fall 1984, when Peter Snell dropped dead on the factory floor—and his surviving business partners hired Canadian designer Kevin Voecks, late of Mirage, to take his place. Almost immediately, Voecks began to take Snell's product line in a direction that had nothing whatsoever to do with Peter Snell's original work, as far as Peter Qvortrup was concerned. I agree.

Er direkte usandt vrøvl og mytedannelse. Jeg mistænker faktisk anmelderen for blot at referere andres fordomme.

Jeg har haft en del Snell højttalere i hænderne og kigget indenfor også. Snell døde i 1984...ok. I 1993, næsten 10år senere havde jeg en Snell E3 (produceret maj 1993). Den var opbygget efter samme principper og med samme materialer som min tilligere Snell E2 og en bekendts Snell E. Samme kan siges om J modellerne både før og efter Kevin overtog.

Det er nok meget smag...men jeg foretrækker klart E3 frem for forgængerne, blot den bagudvente diskant slukkes. E4 er dog e nedgang, men den kom langt senere....

Det han skriver om musikken falmer lidt, efter det vrøvl han hælder ud på papir.....

[SES.]

Hej
En fin vinkel du har…

Når jeg smider et bidrag kan jeg ikke samtidig oplyse alle og enhver om alle de detaljer jeg i tidens løb har summet op. Dudley er ikke min gud – og han er ikke ufejlbarlig – herregud manden spiller på LP12 endnu. Ikke desto mindre er han ikke helt tosset – han har haft sit eget blad der var så godt at ingen købte det .
(Altid min svaghed - jeg stemmer altid på dem der går tilbage i meningsmålinger - de har gjort noget der virker )

Han er god til at få fokus, han er måske også god til det med legender –
Så jeg ”glemmer” hans skavanker, ligesom jeg glemmer at Roy Gregory lytter til NO. De har noget på hjertet alligevel.
De er ikke perfekte – og det er jeg heller ikke. Når jeg læser dem med fornøjelse – sidder jeg også og småsmiler fordi jeg husker lp12 etc. – herregud – de ved jo ikke bedre – det gør jeg – eller gør jeg ?
Send den gode Dudley en mail med dine gode input – der er sgu nogle pointer. Dudley kan lide feed back.

Jeg kender kun Snell fra annoncekrigen many tears ago – men er dog klar over at vi er den gode ende af hifi.

Men glad for at du sender anmeldelsen ned på jorden – ingen er perfekt – og det mindst perfekte af perfekt - er hifi.

[kibri]

Hej Skorpio...

Ja, myter kommer jo af noget og en histore har det med at blive bedre og bedre - helst fortalt af dem der var lægst væk..

Men han har vel ret i, at firmaet Snell ændrede deres konstruktioner radikalt i årene efter? Mener de blev solgt parallelt med de gamle konstruktioner et stykke tid?!  Det skal give anledning til en masse snak...

[kibri]

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