Hvad hører du nu ?

[zaka]

...ølmave..

Det er en skrøne, et paradoks, det eksisterer ikke .

[SES.]

    



denne hunting fra igÃ¥r er en perle, med en lille "sjov" ting. I nummeret How About Me (Berlin), bliver rytmen serveret sÃ¥ der dukker et billede op af en lille mand med bowler og næsten røget cigar + 2 kumphaner. I et af Pee Wee's kor er det samme melodi - bare omvendt. da da da da da  

[Boye]

Hold da op, for en tråd med kræs og kuriosa for kendere... Det kan godt være at her er dybere end jeg kan bunde, men jeg vil gerne prøve at stikke tæerne i og fortælle om min nyfundne begejstring som jeg først har prøvet kræfter med her 10 -15 år efter de var nye:
Boards of Canada:

Twoism (1996)


Geogaddi (2002)



Deres gennemarbejdede elektroniske lydcollager lyder for mig som det perfekte "soundtrack til erindringen".

På mange måder er det jo anti-musik og trodser enhver ide om hifi, da mange af de anvendte effekter netop er filtre og forvrængning og mængder af tilsat wow og flutter.

Når jeg smider dem ind i tråden her, er det ikke mindt fordi jeg ikke har set noget lignende blive præsenteret endnu.

[macwerk]

Flot fanget SES  

I alt sin enkelthed noget af det rareste musik man kan være i selvskab med - gæt hvad jeg har pÃ¥  

[gurdet]

Ahemmm...

Kenneth Knudsen og Morten Zeuthen:

Light and Metal

 

Kompositioner af Knudsen (+JSBach) for keyboards og cello. Udgivet på Classico og nomineret til Nordisk Råds musikpris i 2000. Atmosfærefyldt og - øh - anderledes. Kastet i nakken sammen med en stak andre obskure ting formedelst 7 kr./stk i Rille Dilles evighedsudsalg.

 

Classico er tilsyneladende et filantropisk foretagende, der udgiver ting, ingen andre vil røre....

De andre 7 kr.s ting er nu ikke SÃ… langt ude alligevel, omend de vel nok er indspillet i 2. division...

 

LvB: Piano Quintet in Eb op. 16; Septet in Eb op. 20 - Det jyske ensemble

LvB: Piano Trios, No 7, op.97 og No 3, op. 1, 3 - Trio Italiano

Respighi - Martucci: Piano Quintets - Quartetto di Venezia

R. Strauss: Don Quixote - The Royal Liverpool Philharmonic...

V. Novák: South Bohemian Suite/Eight Nocturnes - Carlsbad Symph. Orch.

 

I alt 42 kr. Bizart...

 

Mvh

 

 

[macwerk]

CD-folket kan gÃ¥ pÃ¥ biblioteket - men vi kan til gengæld beholde de plader der holder  

[SES.]

[Det jeg efterlod var rigtig meget Supraphon, masser af Melodya f.eks med Mozart som ellers er en kombo jeg er så glad for, en del Beethoven f.eks med kempff og jeg kunne blive ved. Når jeg nævner dette, så er det fordi at resterne efter sigende bliver sendt til en Accord i Odense.
.

 

Nå måtte jo kigge lidt - Macwerk har dog plukket godt.

En gl King Cole Trio / lidt Monterey 1959 med Hawkins, Hines, Webster m fl. / Nylons (vocalgruppe vel nærmest midt mellem Manhattan og Take Six) fed optagelse, + lidt mere. Og en til Macwerk som bliver sendt engang og inden jul en russisk optagelse i ref. klasse med russiske musikere og musikken er 50% russisk og 50% fransk altsÃ¥ samtidig.

 

[macwerk]

Spædene  

NÃ¥r jeg kommer skal jeg lige se om jeg kan komme med et bud en fransk/russisk ting.

Jazz'en var allerede ude af vagten, da jeg dumpede forbi Accord forrige torsdag - næsten heldigvis, for så kunne koncentrere mig om det klassiske.

[Thomas]

Yat Kha


Et band fra sydsibirien, nærmere betegnet Tuva.
Der bliver sunget med struben, ret specielt. Sangene handler om kærlighed, kvinder, og heste.
Albert Kuvezin er manden bag, her er lidt sakset baggrundsinfo om ham:
"Albert started the band many moons ago, he is the guitarist and the singer.
KANZAT is his special style of kargiraa khoomei. When he was a little boy he was thrown out of the choir and told never ever to sing again. So he tried playing football instead. When he realised that there was such a thing as Deep Purple and Sonic Youth, he decided to get rid of the football and get a guitar and start singing again, although the ideology department of the Communist Party didn't like it very much.
Nobody else in TUVA can sing like Albert, perhaps it is because his style is closer to some singing by the Khakass, just north of Tuva. His father is Tuvan - Budachy (he who likes soup) KUVEZIN took Tuva to the quarter-finals as a coach as well as playing for the all-Russia team as the top volleyball player ever in Tuva"

En ret spøjs plade..

[SES.]

Lidt om mine to topscorede fra den hollandske auktion:



The Nylons' performing career began in 1980 at a time when a cappella outfits were not in vogue. The fact that the Nylons were unlike any a cappella act on the scene made them stand out and earned them accolades and a devoted audience almost immediately. The band has existed in one form or another for 25 years, but it is the original quartet of Claude Morrison, Arnold Robinson, Paul Cooper, and Mark Connors that created their most beloved recordings. One Size Fits All, their second album, was released the same year as their debut, in 1982, and remains one of the finest modern a cappella albums released since the genre's heyday in the '50s. With production and arrangements provided by Peter Mann, the quartet steps out of the semi-restrictive constraints of a cappella and creates its own sound. On this outing, their strong voices blend together even more tightly than on their debut, and their performance is warm and soothing. Connors' treatment of "Town Without Pity" is stunning, breathing emotion and life into a song that hadn't sounded this good since Gene Pitney's hit version nearly 20 years before. Claude Morrison proves that not only is he a fine vocalist, but also a great songwriter, with "Heavenly Bodies." Paul Cooper, who wrote or co-wrote some of their finest songs, shines here with "Bop Till You Drop" and the opener, "That Kind of Man" (the U.S. CD suspiciously edits out the original intro to the song which mentions "discos and gay cabarets."). Robinson's fantastic lead on "Silhouettes" is one of the album's real highlights. The most exceptional track here is "Please," a gorgeous ballad written and passionately sung by Connors and Cooper. Fans of AOR, doo wop, rock, pop, soul, and jazz will be fully satisfied with what the Nylons offer on this sophomore release, a rare case of the second album being better than the first.

Jimmy Witherspoon:
Det er lp'en fra Monterey 59 jeg scorede - her lidt omtale af Jimmy + cd'en som måske er nemmere af finde.

One of the great blues singers of the post-World War II period, Jimmy Witherspoon was also versatile enough to fit comfortably into the jazz world. Witherspoon was born on August 8, 1920, in Gurdon, AR. As a child, he sang in a church choir, and made his debut recordings with Jay McShann for Philo and Mercury in 1945 and 1946. His own first recordings, using McShann's band, resulted in a number one R&B hit in 1949 with "Ain't Nobody's Business, Pts. 1 & 2" on Supreme Records. Live performances of "No Rollin' Blues" and "Big Fine Girl" provided 'Spoon with two more hits in 1950.

The mid-'50s were a lean time, with his style of shouting blues temporarily out of fashion; singles were tried for Federal, Chess, Atco, Vee Jay, and others, with little success. Jimmy Witherspoon at the Monterey Jazz Festival (HiFi Jazz) from 1959 lifted him back into the limelight



"Good Rocking to Night" er en af mine Elvis favoritter - hvis han havde haft DETTE band med, gad vide hvad der så kunne være sket.

Witherspoon er nu også god, og stemningen er som at se og høre "Jazz on a Summerday". Man bliver et bedre menneske - imorgen får alle der tigger en 20'er. Mit problem er at profeten har læst mine tanker - den plade er 500 værd og jeg gav 180 for 6.

This single CD (which reissues all of the music from an earlier two-LP set) includes the high point of singer Jimmy Witherspoon's career. On October 2, 1959, he appeared at the Monterey Jazz Festival and created such a sensation that it caused his career to go through a renaissance. Heard at the peak of his powers, Witherspoon holds his own with a mighty group of veterans (trumpeter Roy Eldridge, both Ben Webster and Coleman Hawkins on tenors, clarinetist Woody Herman, pianist Earl Hines, bassist Vernon Alley, and drummer Mel Lewis). Although the five-song set only lasted 25 minutes, Witherspoon's performance was the hit of the festival

[macwerk]

Rimsky-Korsakov Scheherazade Op. 35.
Ormandy / Philadelphia Orch.
Columbia CL 850.
- Næsten på højde med min russiske.

NÃ¥r jeg kommer skal jeg lige se om jeg kan komme med et bud en fransk/russisk ting.

Den oplagte er selvfølgelig Moussorgsky orchestrated by Ravel  

Next up (gammelt guldgraver fund):
Moussorgsky/Ravel Pictures at an Exhibition
Karajan / Philharmonia Orch.
Columbia CX 1421.

[SES.]

Rimsky-Korsakov Scheherazade Op. 35.
Ormandy / Philadelphia Orch.
Columbia CL 850.
- Næsten på højde med min russiske.

NÃ¥r jeg kommer skal jeg lige se om jeg kan komme med et bud en fransk/russisk ting.

Den oplagte er selvfølgelig Moussorgsky orchestrated by Ravel

Next up (gammelt guldgraver fund):
Moussorgsky/Ravel Pictures at an Exhibition
Karajan / Philharmonia Orch.
Columbia CX 1421.

 

Flot gæt - men men - har desværre ikke noget pic

George Bizet - Rodion Schedrin

CARMEN SUITE

Genady Rozdestvensky

Melodiya

Carmen udsat for Schedrin's temmelig usømmelige men vitale omgang med Bizet's partitur. Kun strygere og slagtøj en masse. En all time favo her.

[vilmann]

Den er godt nok noget slidt....  men for pokker den er god. Og hvorfor varer orgel soloen i Telephonecall From Istanbull ikke længere....?

/vilmann

[macwerk]

Lyder som lige noget for mig, SES  

Igår endte med flere spind af:

Dvorak Dumky (Elegies) Op. 90
(+ Josef Suk Elegie Op. 23)
Smetana Piano Trio
Panton 11 0234

[SES.]

Lyder som lige noget for mig, SES

Igår endte med flere spind af:

Dvorak Dumky (Elegies) Op. 90
(+ Josef Suk Elegie Op. 23)
Smetana Piano Trio
Panton 11 0234

 

Skøn musik MW.

Her Shosta's 2 klaverkoncert med Marc Andre Hamelin, og Elgar's 1 symfoni med Slatkin.