Thomas Bagge skrev:Wake up Boo
Kunne passende følges op af Savage Rose's "Beautyful Day"
Hvad hører du nu ?
af vilmann » søn nov 20, 2005 16:27
Jeg har aldrig haft noget særligt til overs for Cobain og hele den persondyrkelse der fulgte Nirvana's succes.
Men for hulen.... Nevermind er god.
Det er svært at finde noget der kan efterfølge den, uden at gå helt over i punk'en - med fare for at blive ret upopulær hos husets frue.....
/vilmann
Men for hulen.... Nevermind er god.
Det er svært at finde noget der kan efterfølge den, uden at gå helt over i punk'en - med fare for at blive ret upopulær hos husets frue.....
/vilmann
- vilmann
af SES. » søn nov 20, 2005 16:29
Har ikke tid til nævne de sidste 2,5 døgns plader - men der flere - mange flere der står på vej tilbage til arkivet end før.
Lige nu Billie Holliday - Story vol 1 - 2 stk Columbia MG32121 MONO.
Har det meste på CD (Giants off jazz - fint overført) men det her er noget bedre end CD.
De medvirkende fra 1933 til 1939 er næsten hele jazz historien på 2 plader. Fra Benny Goodman i 33 til Teddy Wilson i 39. Alle er med også de unikke med Prez.
Lyden er superb.
Lige nu Billie Holliday - Story vol 1 - 2 stk Columbia MG32121 MONO.
Har det meste på CD (Giants off jazz - fint overført) men det her er noget bedre end CD.
De medvirkende fra 1933 til 1939 er næsten hele jazz historien på 2 plader. Fra Benny Goodman i 33 til Teddy Wilson i 39. Alle er med også de unikke med Prez.
Lyden er superb.
Senest rettet af SES. søn nov 20, 2005 16:46, rettet i alt 1 gang.
mvh. SES.
To listen is an effort, and just to hear is no merit. A duck hears also. Igor Stravinsky
Vi har alle lært at skjule vore fordomme, og vi viser ikke vore forkerte meninger. PO Enquist 1976.
To listen is an effort, and just to hear is no merit. A duck hears also. Igor Stravinsky
Vi har alle lært at skjule vore fordomme, og vi viser ikke vore forkerte meninger. PO Enquist 1976.
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SES. - Supermedlem
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af Forsørger » søn nov 20, 2005 16:43
Ry Cooder, Jazz, - på LP selvfølgelig..
Review by Brett Hartenbach
Beginning with his self-titled debut in 1970, Ry Cooder's records seemed to be as much history lesson as they were entertainment. Not because Cooder was trying to club you over the head with this stuff; he simply gravitated to great songs, no matter what the era or genre. Released in 1978, Jazz seems to be his first conscious attempt at a concept album, in the historical sense. Here he pays homage to some of the early tunes and masters of jazz, ranging from the late 1800s through the "coon songs" of the early part of the next century, to the ragtime and "Spanish" music of Jelly Roll Morton, and the sophistication of cornetist Bix Beiderbecke. The only living artist (at the time of release) who's represented here is the great Bahamian guitarist Joseph Spence, who recorded from the '50s through the '80s, and whose syncopated style was extremely influential in Cooder's own development as a guitarist. Spence's sacred songs are presented here in string and brass band arrangements that emphasize the Caribbean connection between his music and Morton's habaniera pieces. The complexity of the material on Jazz, as well as the arrangements by Joseph Byrd, dictate that this is Cooder's most polished and orchestrated effort to date. Whereas in the past, even at their most removed, Cooder's records usually kept at least one foot in rock & roll or blues, Jazz can, at times, lack some of that fire and be almost bookish in its approach. Still, there is enough excitement in the music's intricacies and Cooder's beautiful, fluid playing to forgive the politeness of some of the performances. From the informative liner notes by Ry Cooder himself to the brilliant compositions, Jazz is, at the very least, educational. But, a little time spent with this music and you'll see why it was and continues to be relevant, as well as beloved.
_
Forsørger.
Review by Brett Hartenbach
Beginning with his self-titled debut in 1970, Ry Cooder's records seemed to be as much history lesson as they were entertainment. Not because Cooder was trying to club you over the head with this stuff; he simply gravitated to great songs, no matter what the era or genre. Released in 1978, Jazz seems to be his first conscious attempt at a concept album, in the historical sense. Here he pays homage to some of the early tunes and masters of jazz, ranging from the late 1800s through the "coon songs" of the early part of the next century, to the ragtime and "Spanish" music of Jelly Roll Morton, and the sophistication of cornetist Bix Beiderbecke. The only living artist (at the time of release) who's represented here is the great Bahamian guitarist Joseph Spence, who recorded from the '50s through the '80s, and whose syncopated style was extremely influential in Cooder's own development as a guitarist. Spence's sacred songs are presented here in string and brass band arrangements that emphasize the Caribbean connection between his music and Morton's habaniera pieces. The complexity of the material on Jazz, as well as the arrangements by Joseph Byrd, dictate that this is Cooder's most polished and orchestrated effort to date. Whereas in the past, even at their most removed, Cooder's records usually kept at least one foot in rock & roll or blues, Jazz can, at times, lack some of that fire and be almost bookish in its approach. Still, there is enough excitement in the music's intricacies and Cooder's beautiful, fluid playing to forgive the politeness of some of the performances. From the informative liner notes by Ry Cooder himself to the brilliant compositions, Jazz is, at the very least, educational. But, a little time spent with this music and you'll see why it was and continues to be relevant, as well as beloved.
_
Forsørger.
- Forsørger
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af Thomas Sillesen » søn nov 20, 2005 17:28
Vilmann... den her kom året efter Nevermind:
Heller ikke helt dårlig
Og sejt Jensen ! ELO, var vild med dem engang, A New World Record var det fedeste album da jeg var 13 !
Heller ikke helt dårlig
Og sejt Jensen ! ELO, var vild med dem engang, A New World Record var det fedeste album da jeg var 13 !
Med venlig hilsen
Thomas Sillesen
Thomas Sillesen
- Thomas Sillesen
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af SES. » søn nov 20, 2005 17:34
Siger man Holiday – så støder man hurtigt på Buck Clayton. Ham får man lyst til høre mere med. Har scoret 3 unikke JAM sessions på konge mono, her er en af dem som spinner lige nu.
Lige nu er det JAM ”Hucklebuckle & Robbins Nest” optaget 16.12.1953.
Musik: alle de stjerner der findes.
Optagelse: alle de stjerner der findes med pil opad.
Der bør findes Cd'er hvor disse jams er samlet.
Den tids jazz er et svagt punkt i ALLMUSIC.
Lige nu er det JAM ”Hucklebuckle & Robbins Nest” optaget 16.12.1953.
Musik: alle de stjerner der findes.
Optagelse: alle de stjerner der findes med pil opad.
Der bør findes Cd'er hvor disse jams er samlet.
Den tids jazz er et svagt punkt i ALLMUSIC.
mvh. SES.
To listen is an effort, and just to hear is no merit. A duck hears also. Igor Stravinsky
Vi har alle lært at skjule vore fordomme, og vi viser ikke vore forkerte meninger. PO Enquist 1976.
To listen is an effort, and just to hear is no merit. A duck hears also. Igor Stravinsky
Vi har alle lært at skjule vore fordomme, og vi viser ikke vore forkerte meninger. PO Enquist 1976.
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af jensen » søn nov 20, 2005 18:08
Thomas Sillesen skrev:Vilmann... den her kom året efter Nevermind:
Heller ikke helt dårlig
Og sejt Jensen ! ELO, var vild med dem engang, A New World Record var det fedeste album da jeg var 13 !
ELO er altid godt
- jensen
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af macwerk » søn nov 20, 2005 19:34
X-Ray Spex "Germ Free Adolescents"
Nu kan alle jo sætte plader på, men 'rigtig' punk skal altså opleves live
Et par af No Knox drengene skulle efter sigende 'varme op' for Dansk Fløde ( http://www.danskfloede.dk ) på Rust den 15/12
Nu kan alle jo sætte plader på, men 'rigtig' punk skal altså opleves live
Et par af No Knox drengene skulle efter sigende 'varme op' for Dansk Fløde ( http://www.danskfloede.dk ) på Rust den 15/12
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macwerk - Supermedlem
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af Thomas Sillesen » søn nov 20, 2005 20:02
Nu vi taler om punk, er det ret fedt når mine døtre på 10 og 8 spiller luftguitar til Hollidays in the Sun...
Med venlig hilsen
Thomas Sillesen
Thomas Sillesen
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af zaka » søn nov 20, 2005 21:28
Schubert - Der Tod ud das Mädchen med Amadeus Quartet.
Debussy udsat for Pierre Boulez
og til sidst:
--
Med venlig hilsen
zaka
Talking about music is like dancing about architecture.
~ Thelonious Monk
If you got the technique and I got a good sound, I'll beat you every time. You can play a thousand notes and I can play one note and wipe you out.
~Dewey Redman
Flere røverhistorier fra ZIG, tak!
Med venlig hilsen
zaka
Talking about music is like dancing about architecture.
~ Thelonious Monk
If you got the technique and I got a good sound, I'll beat you every time. You can play a thousand notes and I can play one note and wipe you out.
~Dewey Redman
Flere røverhistorier fra ZIG, tak!
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zaka - Supermedlem
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af SES. » man nov 21, 2005 12:15
2 pragtplader fra Speakers Corner:
The President Plays With the Oscar Peterson Trio
Respighi: Birds & Brazilian Impressions
Da jeg startede Respighi, fik jeg et lille dynamik chock - svedigt
Det WW kabel kan noget - uh hvor godt.
The President Plays With the Oscar Peterson Trio
Respighi: Birds & Brazilian Impressions
Da jeg startede Respighi, fik jeg et lille dynamik chock - svedigt
Det WW kabel kan noget - uh hvor godt.
mvh. SES.
To listen is an effort, and just to hear is no merit. A duck hears also. Igor Stravinsky
Vi har alle lært at skjule vore fordomme, og vi viser ikke vore forkerte meninger. PO Enquist 1976.
To listen is an effort, and just to hear is no merit. A duck hears also. Igor Stravinsky
Vi har alle lært at skjule vore fordomme, og vi viser ikke vore forkerte meninger. PO Enquist 1976.
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SES. - Supermedlem
- Indlæg: 2578
- Tilmeldt: tirs okt 25, 2005 06:58
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