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macwerk skrev:Tog hul på denne her i går - ganske fantastisk
"There is cinema before and after La Roue as there is painting before and after Picasso."
That’s none other than Jean Cocteau, referring to the mammoth 1923 drama (original running time: nearly 8 hours) directed and written by Abel Gance — he of Napoleon.
Gance worked for three years on La Roue / The Wheel, which revolves around a locomotive engineer (Séverin-Mars, who died in 1921, two years before the film’s official release), his obsession with his adopted daughter (Ivy Close, mother of director Ronald Neame), and her (romantic) love for the engineer’s son (Gabriel de Gravone), who also happens to have fallen in love with her.
The director and his cinematographers (Gaston Brun, Marc Bujard, Léonce-Henri Burel, and Maurice Duverger) worked on all sorts of innovative cinematic experiments; as a result, the film’s technical virtuosity became a blueprint for numerous other productions. G. W. Pabst, for one, was encouraged by La Roue to begin his own explorations of human psychology in classics such as Pandora’s Box and Diary of a Lost Girl, while Akira Kurosawa once stated that "the first film that really impressed me was La Roue."
zaka skrev:Lidt af en arbejdshest. Den bliver mishandlet dagligt på turen til arbejde og hjem igen. (Roskilde - Københan - Roskilde). Pt. i regn og slud og salt. 5600 km er det blevet til siden foråret.
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